The Most Trusted Agency On The Web For Booking Big Name Entertainment Since 1996
Looking to hire Dwight Yoakam for a private party, fundraiser, gala, public concert, wedding, college, fair or festival worldwide?
BookingEntertainment.com makes it easy to get available dates, pricing and fees for booking Dwight Yoakam.
Fill out an entertainment request form and a Dwight Yoakam booking agent who can assist you in booking Dwight Yoakam will get back to you to discuss booking Dwight Yoakam for your event.
Want to talk about your event now? Give us a call at (212) 645-0555 and one of our booking agents will be happy help you immediately.
Our office is staffed from 9:00 AM - 7:00 PM EST, Monday - Friday.
With his stripped-down approach to traditional honky tonk and Bakersfield country, Dwight Yoakam helped return country music to its roots in the late '80s. Like his idols Buck Owens, Merle Haggard, and Hank Williams, Yoakam never played by Nashville's rules; consequently, he never dominated the charts like his contemporary Randy Travis. Then again, Travis never played around with the sound and style of country music like Yoakam. On each of his records, he twists around the form enough to make it seem like he doesn't respect all of country's traditions. Appropriately, his core audience was composed mainly of roots rock and rock & roll fans, not the mainstream country audience. Nevertheless, he was frequently able to chart in the country Top Ten, and he remained one of the most respected and adventurous recording country artists well into the '90s.
Born in Kentucky but raised in Ohio, Yoakam learned how to play guitar at the age of six. As a child, he listened to his mother's record collection, honing in on the traditional country of Hank Williams and Johnny Cash, as well as the Bakersfield honky tonk of Buck Owens. When he was in high school, Yoakam played with a variety of bands, playing everything from country to rock & roll. After completing high school, Yoakam briefly attended Ohio State University, but he dropped out and moved to Nashville in the late '70s with the intent of becoming a recording artist.
At the time he moved to Nashville, the town was in the throes of the pop-oriented urban cowboy movement and had no interest in his updated honky tonk. While in Nashville, he met guitarist Pete Anderson, who shared a similar taste in music. The pair moved out to Los Angeles, where they found a more appreciative audience than they did in Nashville. In L.A., Yoakam and Anderson didn't just play country clubs, they played the same nightclubs that punk and post-punk rock bands like X, the Dead Kennedys, Los Lobos, the Blasters, and the Butthole Surfers did. What Yoakam had in common with rock bands like X, the Blasters, and Los Angeles was similar musical influences; they all drew from '50s rock & roll and country. In comparison to the polished music coming out of Nashville, Yoakam's stripped-down, direct revivalism seemed radical. The cowpunks, as they were called, that attended Yoakam's shows provided an invaluable support for his fledgling career.
Yoakam released an independent EP, A Town South of Bakersfield, in 1984, which received substantial airplay on Los Angeles college and alternative radio stations. The EP also helped him land a record contract with Reprise Records. Dwight's full-length debut album, Guitars, Cadillacs, Etc., Etc., was released in 1986 and was an instant sensation. Rock and country critics praised it and it earned airplay on college stations across America. More importantly, it was a hit on the country charts, as its first single, a cover of Johnny Horton's "Honky Tonk Man," climbed to number three in the spring, followed by the number four "Guitars, Cadillacs" in the summer. The album would eventually go platinum.
Hillbilly Deluxe, Dwight's 1987 follow-up, was equally successful, spawning four Top Ten hits: "Little Sister," "Little Ways," "Please, Please Baby," and "Always Late with Your Kisses." In 1988, Yoakam had his first number one hit with "Streets of Bakersfield," a cover of a Buck Owens song recorded with Owens himself. It was the first single off his third album, Buenos Noches from a Lonely Room, which continued his streak of Top Ten hits. "I Sang Dixie," the album's second single, went to number one, and "I Got You" reached number five. In 1989, Yoakam released a compilation album, Just Lookin' for a Hit, which went gold. "Long White Cadillac," taken from the collection, stalled at number 35 in the fall of 1989.
Although his 1990 album If There Was a Way didn't have as many Top Ten hits, it was a major success; it was his first album since his debut to go platinum. This Time, released in the spring of 1993, was an even bigger hit, spawning three number two singles -- "Ain't That Lonely Yet," "A Thousand Miles from Nowhere," and "Fast as You" -- and going platinum. After its release, Yoakam was silent for two years, returning in the summer of 1995 with Dwight Live, which didn't set the charts on fire. In the fall of that year, he released his sixth album, Gone, which went gold by the spring of 1996, although it didn't produce any major country hits. After 1997's Under the Covers, a collection of cover songs, Yoakam returned with the all-new A Long Way Home in 1998. Another compilation, Last Chance for a Thousand Years: Greatest Hits from the '90s, was released in 1999; its newly recorded version of Queen's "Crazy Little Thing Called Love" became Yoakam's biggest hit in six years, even hitting the lower reaches of the pop charts thanks to its exposure in a khakis commercial. Two albums followed in 2000: dwightyoakamacoustic.net, a bare-bones, all-acoustic revisitation of Yoakam's back catalog; and the more standard studio project Tomorrow's Sounds Today, which featured further collaborations with Buck Owens and a cover of Cheap Trick's "I Want You to Want Me."
In 2001, Yoakam debuted as a writer and director, also issuing the soundtrack South of Heaven, West of Hell to accompany it. Two years later, he debuted on a new label (Audium) with Population Me, while Reprise issued the compilation In Others' Words to compete with it. In 2004 he released Dwight's Used Records, a 14-track anthology of duets that appeared on other artists' albums, unreleased covers, and cuts Yoakam contributed to various tribute compilations. An album of all new material, the self-produced Blame the Vain, followed in 2005 along with the live album Live from Austin, TX. ~ Stephen Thomas Erlewine, All Music Guide
Dwight Yoakam Song List
Fill out the form below and your assigned agent will contact you quickly to see how Online Talent can best serve you and your clients.
This non-obligatory and confidential form was created for our booking agents to get a clear understanding of who you would like to book as well as your proposed date, budget and venue.
Our 20 years of agency / management relationships help you get the best possible price and ensures that your talent buying experience is handled with honesty and integrity. You can also talk to us about producing the entire musical portion of the event for one flat fee with no surprises...
Want to talk about your event now? Give us a call at (212) 645-0555 and one of our booking agents will be happy to help you immediately.
Our office is staffed from 9:00 AM - 7:00 PM EST, Monday - Friday.
NEED HELP? Please feel free to email us with questions at any time
"When you are looking to book big name entertainment for an event, there are a number of pop up booking agencies on the web that if they are reputable, simply book the acts and leave you to handle all of the responsibilities of producing the entertainment portion of your event. Our entertainment booking agents have been personally trained by me to ensure that the entire booking process and event production is handled flawlessly and with the personal touch that I make sure goes into every corporate event, private party or public concert that we handle. My reputation is on the line for every show we do, and I ensure that both our clients and the acts / celebrities that we book are treated to our unprecedented level of service.
Let our entertainment agent specialists show you how we can save you up to 30% on your production costs and why so many of our clients come back to our booking agency year after year to enjoy our hassle free service when they want to book big name entertainment for corporate events, private parties and public concerts worldwide."
CEO & President - Steve Einzig
"The first thing I do when I am planning my event for next year is call Steve at BookingEntertainment. Our event is at the Waldorf Astoria every year, and the team at BookingEntertainment delivers a perfect experience year after year. No matter what time we get in the room, BookingEntertainment makes it work."
J.T - Hospital Fundraiser - New York - (Stevie Wonder, Carole King, The Doobie Brothers, Kelly Clarkson, Don Henley, Chicago, Hall & Oates, Melissa Etheridge, Sheryl Crow, Stevie Nicks, Natasha Bedingfield)
"They make corporate event planning a snap!! When we were looking for an entertainment agency while in the party planning stage of our event, BookingEntertainment.com was the only talent agency that we felt comfortable with. They delivered in a huge way. We loved dealing with them and the event was perfect."
M.B - Private Client - Barbados - (Bon Jovi, Meat Loaf, Bryan Adams, Kenny Rogers)
"Our events with BookingEntertainment have been perfect. They saved us over $200,000 in costs that were needlessly spent in previous years."
R.W - Fundraiser - Las Vegas - (Billy Joel, Stevie Nicks, Hall & Oates)
"BookingEntertainment is one of my favorite vendors. As the corporate meeting planner for a Fortune 500 company, my logistics sometimes incorporate more than 1000 people over several days of meetings and events. Year after year, the final evening concert is a SMASH!! With BookingEntertainment ensuring every last detail is attended to, I am free to relax and enjoy the show with my clients and colleagues."
B.M - Fortune 500 Company - Dallas - (Don Henley, Bonnie Raitt, Penn & Teller)
"Booking Entertainment is a first-rate company that provides more than just booking services. From solid recommendations that fit the target audience to top-notch event production, Booking Entertainment truly delivers. I've been working with Steve Einzig and his staff for over two years on all of our events and highly value their professionalism. Once I have made the call, I know that I don't have to worry about the entertainment for the event. That kind of comfort and assurance is priceless."
A.W - Corporate Event - Atlantic City and Baltimore (Lionel Richie, Donna Summer)