Looking to hire Lee Greenwood for a private party, fundraiser, gala, public concert, wedding, college, fair or festival worldwide?
BookingEntertainment.com makes it easy to get available dates, pricing and fees for booking Lee Greenwood.
Fill out an entertainment request form and a Lee Greenwood booking agent who can assist you in booking Lee Greenwood will get back to you to discuss booking Lee Greenwood for your event.
Want to talk about your event now? Give us a call at (212) 645-0555 and one of our booking agents will be happy help you immediately.
Our office is staffed from 9:00 AM - 7:00 PM EST, Monday - Friday.
Born with a good voice and a wide range, Lee Greenwood turned it into a unique voice accidentally, by overworking it in a less-than-healthy setting. Hailing from Sacramento, he used his musical training on the casino circuit, working in the green-felt jungles of Reno and Las Vegas, where he dealt cards by day and sang in dark lounges by night. The physical toll of two jobs, the vocal strain of performing six nights a week, and the damaging endeavor to sing in smoky nightclubs before the advent of smoking ordinances brought Greenwood a permanent hoarseness. He's used it to his advantage, becoming one of country music's premier balladeers. Discovered by Mel Tillis' road manager, Larry McFaden, Greenwood paid for his own ticket to fly to Nashville and cut a few demos, and it took more than a year for that effort to pay off. When it finally did, Greenwood broke through in late 1981 with "It Turns Me Inside Out," in which his exaggerated vibrato brought frequent comparisons to Kenny Rogers. In short order, Greenwood disposed of the "Kenny clone" image, but he continued to mine romantic material for the bulk of his hits. Occasional exceptions include "Touch and Go Crazy" and "Mornin' Ride," but the biggest exception is also his signature song, the self-written "God Bless the U.S.A.," which earned Song of the Year honors from the Country Music Association.
Growing up on a Sacramento farm, Greenwood was musical at a very early age, teaching himself how to play saxophone when he was nine years old. In his preadolescence, he played in a western dance band called My Moondreams. At the age of 13, he moved with his recently remarried mother to Anaheim, CA, but three years later he returned to Sacramento to live with his grandparents. Between the two moves, he played in a variety of country and Dixieland bands. Upon his return to Sacramento, Greenwood joined Chester Smith's band, which raised his profile within California. Soon, Del Reeves hired Greenwood to play saxophone, and while he was with the singer, Lee learned how to become a showman. In 1962, he formed his own band, a pop combo named Apollo, and the group moved to Las Vegas. Within five years, the group was renamed the Lee Greenwood Affair and relocated to Los Angeles, where they made a handful of records for Paramount. Once the record label went out of business, Greenwood was asked to join the fledgling Rascals by Felix Cavaliere and Dino Danelli, but he declined. Instead, he moved back to Las Vegas, where he worked as an arranger, backup vocalist, and lounge pianist, as well accompanied strippers by playing the organ. By 1973, he became the lead singer and bassist in the Bare Touch of Vegas revue, while he continued to work as a blackjack dealer at the Tropicana. He held down both jobs for much of the mid-'70s.
By the end of the '70s, he was singing in lounges in Reno, which is where he met Larry McFaden, who was then leading Mel Tillis' touring band. Greenwood was initially reluctant to record, but he eventually traveled to Nashville, where he recorded a set of demos. Shortly afterward, McFaden became his manager and helped the singer sign a deal with MCA Records in June of 1981. Four months later, his first single, "It Turns Me Inside Out," climbed into the country Top 20. Greenwood's initial success was helped enormously by the similarity between his husky voice -- toughened up by years of working in smoky casinos -- and that of Kenny Rogers. In March of 1982, his second single, "Ring on Her Finger, Time on Her Hands," climbed into the Top Ten, beginning a streak of 19 Top Ten singles that ran virtually uninterrupted for the next six years. During that time, he racked up no less than seven number one hits: "Somebody's Gonna Love You" (1983), "Going, Going, Gone" (1984), "Dixie Road" (1985), "I Don't Mind the Thorns (If You're the Rose)" (1985), "Don't Underestimate My Love for You" (1986), "Hearts Aren't Made to Break (They're Made to Love)" (1986), and "Mornin' Ride" (1986). In addition to his solo hits, Greenwood had a number of hit duets with Barbara Mandrell, including the number three hit "To Me" (1984). None of Greenwood's music was close to pure country -- it was adult contemporary country-pop, in the vein of Rogers. Unlike Rogers, however, Greenwood rarely crossed over into the pop charts, and when he did, it was only in 1983, when slickly produced country-pop could make inroads on adult contemporary radio. His popularity was at its peak during the mid-'80s, when his conservative music and neo-conservative lyrics managed to capture the imagination of the nation; though "God Bless the U.S.A." only peaked at number seven on the country charts in 1984, it became a recurring theme song for several Republican political campaigns during the Reagan and Bush administrations. Furthermore, Greenwood won many popularity polls and awards from various country music magazines and associations.
Greenwood switched labels in 1990, signing to Capitol Records. His initial singles for the label, "Holdin' a Good Hand" and "We've Got It Made," were successful, but his audience steadily declined during the first half of the decade. Though he tried to retain his audience through patriotic work during the 1991 Gulf War -- even earning the Congressional Medal of Honor Society's Patriot Award and a Points of Light Foundation Award -- he couldn't successfully battle the onslaught of harder-edged, contemporary country artists that overtook country radio in the early '90s. By the middle of the decade, he was no longer charting singles, and he had begun re-recording his biggest hits for a variety of labels; he also continued to tour and give concerts. In 2000 he attempted a comeback with his new album, Same River...Different Bridge. ~ Tom Roland, All Music Guide
Lee Greenwood Song List
Fill out the form below and your assigned agent will contact you quickly to see how Online Talent can best serve you and your clients.
This non-obligatory and confidential form was created for our booking agents to get a clear understanding of who you would like to book as well as your proposed date, budget and venue.
Our 20 years of agency / management relationships help you get the best possible price and ensures that your talent buying experience is handled with honesty and integrity. You can also talk to us about producing the entire musical portion of the event for one flat fee with no surprises...
Want to talk about your event now? Give us a call at (212) 645-0555 and one of our booking agents will be happy to help you immediately.
Our office is staffed from 9:00 AM - 7:00 PM EST, Monday - Friday.
NEED HELP? Please feel free to email us with questions at any time
"When you are looking to book big name entertainment for an event, there are a number of pop up booking agencies on the web that if they are reputable, simply book the acts and leave you to handle all of the responsibilities of producing the entertainment portion of your event. Our entertainment booking agents have been personally trained by me to ensure that the entire booking process and event production is handled flawlessly and with the personal touch that I make sure goes into every corporate event, private party or public concert that we handle. My reputation is on the line for every show we do, and I ensure that both our clients and the acts / celebrities that we book are treated to our unprecedented level of service.
Let our entertainment agent specialists show you how we can save you up to 30% on your production costs and why so many of our clients come back to our booking agency year after year to enjoy our hassle free service when they want to book big name entertainment for corporate events, private parties and public concerts worldwide."
CEO & President - Steve Einzig
"The first thing I do when I am planning my event for next year is call Steve at BookingEntertainment. Our event is at the Waldorf Astoria every year, and the team at BookingEntertainment delivers a perfect experience year after year. No matter what time we get in the room, BookingEntertainment makes it work."
J.T - Hospital Fundraiser - New York - (Stevie Wonder, Carole King, The Doobie Brothers, Kelly Clarkson, Don Henley, Chicago, Hall & Oates, Melissa Etheridge, Sheryl Crow, Stevie Nicks, Natasha Bedingfield)
"They make corporate event planning a snap!! When we were looking for an entertainment agency while in the party planning stage of our event, BookingEntertainment.com was the only talent agency that we felt comfortable with. They delivered in a huge way. We loved dealing with them and the event was perfect."
M.B - Private Client - Barbados - (Bon Jovi, Meat Loaf, Bryan Adams, Kenny Rogers)
"Our events with BookingEntertainment have been perfect. They saved us over $200,000 in costs that were needlessly spent in previous years."
R.W - Fundraiser - Las Vegas - (Billy Joel, Stevie Nicks, Hall & Oates)
"BookingEntertainment is one of my favorite vendors. As the corporate meeting planner for a Fortune 500 company, my logistics sometimes incorporate more than 1000 people over several days of meetings and events. Year after year, the final evening concert is a SMASH!! With BookingEntertainment ensuring every last detail is attended to, I am free to relax and enjoy the show with my clients and colleagues."
B.M - Fortune 500 Company - Dallas - (Don Henley, Bonnie Raitt, Penn & Teller)
"Booking Entertainment is a first-rate company that provides more than just booking services. From solid recommendations that fit the target audience to top-notch event production, Booking Entertainment truly delivers. I've been working with Steve Einzig and his staff for over two years on all of our events and highly value their professionalism. Once I have made the call, I know that I don't have to worry about the entertainment for the event. That kind of comfort and assurance is priceless."
A.W - Corporate Event - Atlantic City and Baltimore (Lionel Richie, Donna Summer)